The next sci-fi comedy set in video games by Shawn Levy Free man starring Ryan Reynolds comes from a long line of virtual reality / simulated movies. Obvious entries in the genre are included The matrix franchise, the Jumanji, i Cosmic jam restarts, and that of Spielberg Ready Player One. But when you’re connected to the grid, these deeper cut-off entries can convince you to sign out forever.
TRON, 1982 (directed by Steven Lisberger)
The mother of all video games or virtual reality movies. TRON writer-director-producer Steven Lisberger was inspired by early video games such as Pong. He bought a 30-second animation at many studios before Disney supported the project. One of the first films that used heavy GGI to give life to its world, TRON follows ENCOM software engineer Kevin Flynn (Jeff Bridges) who is trapped inside a video game by an artificial intelligence called Master’s Control Program (with the voice of David Warner). Flynn has to partner with a security program called Tron (Bruce Boxleitner), who resembles his real-life partner Alan Bradley (also Boxleitner) to escape the show and end MCP’s reign over the company. .
The man of the lawn mower, 1992 (directed by Brett Leonard)
Although the film shares the title of a short story by Stephen King, the film differs so much from the source material that King successfully sued for his name to be removed from the film. Followed by Dr. Lawrence Angelo (Pierce Brosnan) who performs cognitive experiments with chimpanzees using psychoactive drugs and virtual reality. Things go awry when he begins experimenting with an intellectually disabled green guardian named Jobe Smith (Jeff Fahey), who develops psychokinesis and telepathy, ending up obsessed with leaving his body to be an evolved digital being.
Arcade, 1993 (dir. Albert Pyun)
Written by David S. Goyer, this film follows troubled teenager Alex Manning (Megan Ward), who deals with the trauma of his mother’s death while visiting a video game room known as Dante’s hell. There she and her friends discover a virtual reality game called Arcade, the unscrupulous developers implanted their main antagonist with the brain cells of a boy who his mother beat to death to make the evil more realistic. . You read that right.
Virtuosity, 1995 (directed by Brett Leonard)
Dissatisfied with a virtual reality-focused film, director Brett Leonard tried it again with this criminal thriller about cats and mice. In a world where people live much of their lives in virtual reality, the LAPD is looking for SID (Russell Crowe), also known as a sadist, intelligent, dangerous; a VR amalgam of the most violent serial killers in history. When SID somehow manages to demonstrate in the real world with Lieutenant Parker Barnes (Denzel Washington), a detective who had been serving time in prison for murder, he can track him down. Come through the virtual worlds of CGI, stay true to Crowe’s performance.
Strange days, 1995 (dir. Kathryn Bigelow)
Set on the edge of the new millennium, Kathryn Bigelow’s sci-fi neo-noir was a box office bomb when it first launched. But now, the film is widely regarded a beautiful masterpiece. Ralph Fiennes stars in a former cop named Lenny Nero who now sells other people’s memories and sensations using MiniDisc-like devices called SQUIDs on the black market. When Nero discovers a SQUID from tobacco life, he partners with Lornette “Mace” Mason (Angela Bassett) to solve the crime. Originally conceived by James Cameron in the mid-1980s, Bigelow added elements of female victimization, racial oppression, and economic disparity in response to the Lorena Bobbitt trial and the 1992 Los Angeles riots.
existence, 1999 (dir. David Cronenberg)
I would not fail to mention this classic of the master body’s own terror, David Cronenberg. Jennifer Jason Leigh plays a game designer named Allegra Geller, who finds herself targeting assassins while playing a virtual reality game she designed, the headline existence. Cronenberg came to the plot after interviewing Salman Rushdie while he was in hiding because of the fatwa that came to life after the publication of his book. The satanic verses.
Player, 2009 (dir. Mark Neveldine and Brian Taylor)
After becoming the richest man in the world to create a virtual community life simulation game called Society, computer programmer Ken Castle (Michael C. Hall) creates another game called Assassin, a first-person shooter where death row inmates compete for their freedom. John “Kable” Tillman (Gerard Butler) is one of these inmates, controlled by rich teenager Simon (Logan Lerman). Things escalate when an activist group insists that the game will eventually be used to control the entire society against their will and Castle creates a new player (Terry Crews) for the sole purpose of murdering Tillman, the crowd favorite.
TRON Legacy, 2010 (dir. Joseph Kosinski)
In this direct sequel to the 1982 film, Kevin Flynn’s son Sam (Garrett Hedlund) is now ENCOM’s main shareholder. When he is also caught on the net while investigating the disappearance of his father, he meets Clu (Codified Likeness Utility), the avatar of his father, the warrior / fan of Jules Verne Quorra (Olivia Wilde), the flamboyant Zuse / Castor Michael Sheen) and intelligence agent Jarvis (James Frain). Navigating this world, Sam has to accept the dangerous digital legacy his father left behind. With a fantastic Daft Punk score, the duo has a cameo as a DJ at the End of Line club.
The zero theorem, 2013 (dir. Terry Gilliam)
Serving vaguely as the third film in which he has been baptized with Gilliam’s Orwellian triptych, along with Brazil i 12 monkeys. Christoph Waltz plays an eccentric programmer named Qohen who believes he hung up a call that perhaps gave him the meaning of life. When no work is done to resolve the holder Zero Theorem, Qohen spends time on a virtual beach with a mysterious femme fatale (Mélanie Thierry). In the end, Qohen discovers that perhaps “real life” makes no sense after all.
Serenity, 2019 (directed by Steven Knight)
Spoilers ah! Baker Dill (Matthew McConaughey) lives an idyllic life as a fisherman on the remote island of Plymouth. Obsessed with catching an elusive giant yellowfin tuna named Justice, his life turns upside down when his ex-wife Karen (Anne Hathaway) tracks him down and asks him to help her kill her new and abusive husband Frank (Jason Clarke). ). It all seems like a normal neo-noir fare, until the revelation of the third act that Baker and everyone on Plymouth Island are actually artificial intelligence characters created by his son as a way to confront his stepfather. abusive.
The post Our Favorite Movies Framed in Video Games or Virtual Reality first appeared on Nerdist.